The Japanese-Hungarian Connections

About the Project

The virtual exhibition of the Hungarian National Archives was created in the framework of the international cooperation “Archives and the Memories of Migration” ("Levértárak és a migráció emlékei") and was first presented on the cultural day of the Hungarian pavilion at the World Expo 2025 in Osaka. The aim of the exhibition is to present the multifaceted history of migration, emigration, diasporas and bilateral cultural relations through archival sources. At the heart of the project is the idea that archival documents are not only witnesses to the past, but can also serve as a bridge between communities, promoting social inclusion and contributing to cultural dialogue.

The virtual exhibition is built around two main pillars, each of which explores a particular aspect of Hungarian-Japanese relations, both based on the research of renowned authors.

The first unit draws on the biographies of Sándor Kiss in his book “In the Shadow of the Rising Sun - Hungarian Businessmen in Japan (1869-1959)” ("A Felkelő Nap árnyékában – Magyar üzletemberek Japánban (1869–1959)"). The author describes the history of Hungarian-Japanese relations from the 17th century onwards, focusing on the Hungarian businessmen, prisoners of war and adventurers who lived and worked in Japan at the turn of the 19th and 20th centuries. Through personal stories, it also provides insight into the political and cultural conditions in Japan at the time. Sándor Kiss himself served as a commercial diplomat in Japan for 11 years, and his work in fostering Hungarian-Japanese relations was recognised by Emperor Akihito with the Order of the Rising Sun in 2014.

The second unit was inspired by the book “Japan: Society 5.0 - From the Historical Past to the Super Smart Future - in the Mirror of Hungarian History” ("Japán: Társadalom 5.0 – A történelmi múltból a szuperokos jövőbe – a magyar történelem tükrében"), edited by Dr. László Lovász. This fascinating collection of essays explores parallels between Hungarian and Japanese history, drawing associative links between the social, economic and political relations of the two countries.

The virtual exhibition will not only be available online during the World Expo, but will be expanded with new content in the future.

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Japan Mask
Izanami and Izanagi of Japan
Busó Mask
Hunor and Magor of Hungary
The Hunor-Magor and the Izanami-Izanagi legends are origin myths: the former explains the origin of the Hungarian and Hun peoples, the latter the origin of the gods of the world and Japan. In both, a dual character sets out and creates a new world, the parallel being in the motifs of mythic foundation and duality, but while the Izanami are cosmic, divine creators, Hunor and Magor are earthly progenitors.
Japan Motif
Japanese coronation regalia
Hungarian Motif
Hungarian coronation regalia
Both monarchies are crucial to national identity. The House of Yamato is a sacral dynasty with a living mythological legitimacy, while the House of Árpád is a historical house that founded a Christian kingdom, also with mythical origins. The main parallels are sacral origins, nation-building and ancestor worship.
Japan Motif
Japanese pentatonic scale
Hungarian Motif
Hungarian pentatonic scale
What Hungarian and Japanese cultures have in common is that both have pentatonic, or five-note, folk music. Despite the similarities, there are differences: Hungarian folk music is often freer and more narrative, while Japanese music is more regular, meditative and often linked to rituals.
Japan Motif
Japanese noh mask
Hungarian Motif
Hungarian busó mask
In spring, many people celebrate the rebirth of nature with ancient rituals. In Japan, on the Day of the Daughters, hina dolls are released into the water in tiny wooden boats to ward off trouble and illness. In the Hungarian tradition, the kiszebáb plays a similar role: a symbol of winter, evil and illness, it is ceremonially put into water or burnt. Both traditions are about the desire for renewal and the symbolism of water as a cleansing and transmitting element between evil and good.
Japan Motif
Prince Sotoku of Japan
Hungarian Motif
Saint Emeric of Hungary
The exhortations of Prince Sotoku and St Stephen come from two different cultures, yet they serve a similar purpose: to define the moral foundations of rulership and the state. In 6th century Japan, Sōtoku drew on Buddhist and Confucian ideas to write his 17 points on peace, duty and the importance of order. St Stephen, in the 11th century, based his exhortations on Christian principles for his son Emeric, in the spirit of faith, patience and justice. Both works are intended not only to be an exercise of power but also a moral example.
Japan Motif
Japanese Samurai armor
Hungarian Motif
János Hunyadi of Hungary
In the Middle Ages, the military leadership of society was made up of the Hungarian nobility and the Japanese samurai. The Hungarian nobles owned land and owed their king a debt of fealty through service, mainly by going to war. The samurai also owed their lords military service (daimyo), but their lives were governed by the bushido, the moral code of warriors. While the Hungarian nobility emphasised their rights and privileges, the Samurai's central values were loyalty and self-sacrifice.
Japan Motif
Oda Nobunaga of Japan
Hungarian Motif
Mátyás Hunyadi of Hungary
Mátyás Hunyadi and Oda Nobunaga centralised their fragmented country as strong-handed rulers in the 15th and 16th centuries. Mátyás built a strong royal power through mercenary armies and taxation, while Nobunaga began the unification of Japan with modern weapons and military campaigns. Both were open to modern knowledge: Matthias to the Renaissance, Nobunaga to Western technology and Christianity.
Japan Motif
Japanese Asigaru
Hungarian Motif
Hungarian Hussars
The Hussars and the Asigaru appeared as light-armed soldiers in Hungary and Japan, but in different contexts and social roles. The hussars were fast-moving, mounted soldiers, often from noble backgrounds, and played an important role in the battlefields of Europe. The asigaruk were foot soldiers recruited from peasant ranks, who fought mainly with firearms or spears in the service of the daimyo. While the hussars represented individual virtue and agility, the asigaru became the forerunners of a disciplined, large-scale army alongside the samurai elite.
Japan Motif
Traditional Japanese hairstyle
Hungarian Motif
Traditional Hungarian hairstyle
The traditional hairstyle of both the Japanese Samurai and Hungarian men was an expression of identity, social order and tradition. In the 19th century, both were targeted by modernisation and central power. In Japan, the Meiji era banned the samurai topknot to eliminate outward signs of a warrior order. In Hungary, the Habsburgs occasionally restricted Hungarian hair and dress to reinforce imperial unity. Both measures were aimed at curbing cultural traditions in order to strengthen a unified nation-state modelled on the West.
Japan Motif
Iwakura Tomomi of Japan
Hungarian Motif
Ferenc Deák of Hungary
In the 19th century, Iwakura Tomomi and Ferenc Deák led their countries from the old order to the modern state through peaceful reforms. Iwakura played a key role in the Meiji Restoration and the transformation of the Japanese Empire into a Western-style centralised state that successfully avoided colonialism. Ferenc Deák secured Hungary's constitutional independence within the Austro-Hungarian Empire with the Compromise of 1867. Both achieved lasting political results through compromise and helped to put national sovereignty on a new footing.
Japan Motif
Itó Hirobumi of Japan
Hungarian Motif
Sándor Wekerle of Hungary
At the end of the 19th century, Japan was ruled by the Jiyutō Party and Hungary by the Libertarian Party. Both governed in a spirit of modernisation and stability, with reform-minded prime ministers. In Japan, Itó Hirobumi was the founder of constitutional monarchy and modern finance, while in Hungary, Sándor Wekerle pioneered economic rationalisation and financial stability.
Japan Motif
Kuroda Seiki, Under the Trees, 1899.
Hungarian Motif
Pál Szinyei Merse, Picnic in May, 1873
At the turn of the 19th and 20th centuries, the visual arts in Hungary and Japan underwent a major transformation. In Hungary, the Nagybánya school, József Rippl-Rónai and Károly Ferenczy represented the modern trends. In Japan, nihonga (Japanese style) painting was revived by Yokoyama Taikan and Hishida Shunsō, while the yōga (Western style) was represented by Kuroda Seiki and Fujishima Takeji. Artists from both countries sought a balance between identity and modernity: they connected with international art movements by reinterpreting their own traditions.
Japan Motif
Emperor Hirohito of Japan
Hungarian Motif
Regent Miklós Horthy of Hungary
Emperor Hirohito of Japan and Hungarian Regent Miklós Horthy both led their countries for long periods during the turbulent 20th century. They were key players in the political processes before and during the Second World War. Hirohito, as a sacral ruler, formally led Japan towards militaristic expansion. And Horthy's authoritarian period led to disaster as a result of rapprochement with Nazi Germany. Both countries faced severe defeat, destruction and occupation.
Japan Motif
Chiune Sugihara of Japan
Hungarian Motif
Klára Tüdős of Hungary
Klára Tüdős, Hungarian fashion designer, and Chiune Sugihara, Japanese Consul in Lithuania, showed exceptional moral courage in saving Jewish people during the Second World War. Klára Tüdős hid persecuted people and helped them obtain false papers. Sugihara issued visas to thousands of refugees, defying orders from his own government. Both risked their own careers and safety to act out of humanity.
Japan Motif
Seven Samurai by Akira Kurosawa
Hungarian Motif
The Round-Up by Miklós Jancsó
The director of The Seven Samurai, Akira Kurosawa and the Hungarian Miklós Jancsó created a new language in cinema in the second half of the 20th century. Kurosawa explored questions of human destiny, morality and responsibility through his historical epics, while Jancsó sought to explore the relationship between power and freedom in the fateful moments of Hungarian history, using long shots and symbolic space. Both created a universally valid cinematic language from the national past, which became a defining feature of international cinema.
Japan Motif
Super Nintendo
Hungarian Motif
Rubik's Cube
The Rubik's cube and Nintendo have conquered the world's games market from two different directions: one as the logical invention of a lone Hungarian inventor, the other as a symbol of the industrial strength and creativity of a Japanese company. Ernő Rubik's mechanical puzzle from 1974 teaches thinking and patience, while becoming a design icon. Nintendo started the video games revolution, with its characters and games having a global cultural impact. While the Rubik's Cube is the genius of analogue gaming, Nintendo has become a global symbol as the entertainment industry's pinnacle of digital interactivity.

Birth

János Sikos was born in Vid in 1895.

János Sikos in his youth
Image source: Collection of Sándor Kiss

Elementary school

János Sikos moved with his parents to Győrszemere, where he attended elementary school.

Industrial school in Győr

He studied at the industrial school in Győr, where he was among the best.

The Royal Hungarian State School of Wood and Metal in Győr
Image source: Jedlik.eu

Military years

In Pécs he was enrolled in the 19th Hungarian Royal Industrial School.

Contemporary view of the centre of Pécs (illustration)
Image source: Fortepan.hu

Captivity in Russia

He fights as a corporal in the infantry regiment in Galicia, where he is taken prisoner by the Russians.

Soldiers of the 19th Infantry Regiment (illustration)
Image source: Bakamuzeum.hunpont.hu

Escape from prison camp

He tries to escape from the Caucasus prison camp in an adventurous way, on a bought horse, dressed as a Russian muzhik, but fails.

Austro-Hungarian prisoners of war in Russia (illustration)
Image source: Wikimedia.org

Krasnoyarsk prison camp

He is taken to the Krasnoyarsk prison camp, but on the way he repairs the transport's steam locomotive.

Sumo tournament of Hungarian prisoners of war in a Siberian camp (illustration)
Image source: Collection of Sándor Kiss

Vladivostok

In Vladivostok he is already employed by the Russian authorities as a mechanic.

Japanese expeditionary army marching into Vladivostok
Image source: Collection of Sándor Kiss

Own service in Harbin

During the Russian Civil War he leaves for Harbin and establishes and runs a motor service.

János Sikos (far left) with the masters of the workshop
Image source: Collection of Sándor Kiss

Settling in Japan

As a liberated prisoner of war he could return home, but leaves for Japan where he sets up a business.

Red Cross card for János Sikos' free movement
Image source: Collection of Sándor Kiss

Businessman in Japan

In Japan he makes a name for himself as a successful businessman.

Hungarian-language advertisement of János Sikos' company
Image source: Collection of Sándor Kiss

See János Sikos's life path in full by clicking the Zoom in! button.

Birth

Ferenc Hopp was born in 1833 in Fulnek, Czech Republic.

The main square of Ferenc Hopp's hometown Fulnek in the Czech Republic today
Image source: Wikimedia.org

Moves to Pest

Ferenc Hopp studied as an optician apprentice in Pest with his uncle István Calderoni.

Ferenc Hopp's uncle István Calderoni in a photo by György Klösz
Image source: Ferenc Hopp Museum of Asian Art A.4232

Study trip to Vienna

Ferenc Hopp studied as an optician apprentice in Vienna.

Vienna in 1870
Image source: Wikimedia.org

Study trip to America

He was sent to New York to further his knowledge as an optician.

Benoit Kahn, Ferenc Hopp's New York master
Image source: Ferenc Hopp Museum of Asian Art A.1711.1.

Works in Pest again

He settled in Pest with the firm Calderoni & Partners, of which he became director in 1864.

The shop of Calderoni and his partner in 1869
Image source: Ferenc Hopp Museum of Asian Art A.478

Travels around the world

India was the first stop on his round-the-world trip.

Benares in the 1860s. Ferenc Hopp visited the city during his trip to India
Image source: Wikimedia.org

Travels around the world

First visit to China.

Ferenc Hopp at the Great Wall of China in 1883
Image source: Ferenc Hopp Museum of Asian Art A.383

Travels around the world

From China he travels on to Japan, where he also buys art.

Osaka in the 1880s - Ferenc Hopp visited the city during his trip
Image source: Wikimedia.org

Collector in Budapest

His rich Far Eastern collection is donated to museums. He died in 1919 in Budapest.

Ferenc Hopp's villa, now home to the Hopp Ferenc Museum of Asian Art
Image source: Wikimedia.org

See Ferenc Hopp's life path in full by clicking the Zoom in! button.

Birth

Irén Haár (maiden name Irén Pápa) was born in Vác. Her mother taught her to draw and cook at home.

Irén Haár's hometown, Vác from the Danube in 1917
Image source: Fortepan.hu

Art group

She joined the Work Cirlce, which held its first exhibition of working-class photography in Budapest in 1931. She met her future husband, Ferenc Haár, in the Work Circle.

Ferenc Haár and Irén Haár in 1934
Image source: Hungarian Museum of Photography

Years in Paris

She and her husband took part in the Paris World Exhibition and set up a photography studio in the French capital.

A panoramic view of the 1937 Paris World's Fair
Image source: Wikimedia.org

Moving to Japan

They moved to Japan on the recommendation of a friend.

The Haár couple's first child, Tamás, was born in Japan: Irén Haár is pictured with her godparents and godparents in 1941
Image source: Tom Haar / Sándor Kiss

Resettlement in Japan

The Haár family was expelled by the Japanese government, as "residents of friendly countries".

The Haár family moved to Karuizawa, a resort popular with foreigners, following a decision by the Japanese government
Image source: Wikimedia.org

Moving after the war

The family moves to Kamakura after wartime deprivation.

The Haár family moved to Kamakura, closer to Tokyo, in 1946
Image source: Wikimedia.org

The Hungarian restaurant in Tokyo

In Tokyo, Irén Haár runs a Hungarian restaurant in The Ginza, which quickly became popular.

Irén Haár moved to the Hungária restaurant she founded and ran
Image source: Tom Haar / Sándor Kiss

Moving to Hawaii

The restaurant had to be sold due to a renovation, and the Haár family moves to Honolulu.

Irén Haár also opened a Hungarian restaurant in Honolulu, but she preferred to support her husband in his work
Image source: Ferenc Haar / Sándor Kiss

See Irén Pápa's life path in full by clicking the Zoom in! button.

Birth

Béla Széchenyi, the son of the "greatest Hungarian", was born in Pest in 1837.

With Béla Széchenyi's father, István Széchenyi, they visit the Lánchíd under construction, as drawn by Károly Sterio
Image source: Wikimedia.org

Elementary education

He began his studies at the Széchenyi estate in Nagycenk with the help of tutors.

The Széchenyi Castle in Nagycenk today
Image source: Wikimedia.org

University studies

He first studied law at the University of Berlin.

The main building of the Humboldt University in Berlin today
Image source: Wikimedia.org

University studies

He continued his legal studies at the University of Bonn.

The main building of the University of Bonn today - In Széchenyi's time, the Faculty of Law also operated here
Image source: Wikimedia.org

Beginning of a career in politics

During 1861 he became a member of the reconvened Hungarian Parliament.

After a break of almost ten years, the Hungarian Parliament was reconvened by the Emperor in 1861
Image source: Vasárnapi Újság / OSZK EPA DKA-044276

Journey to America

He went on a tour of North America with Count Gyula Károlyi. His experiences are published in a book.

Gyula Károlyi was Széchenyi's travelling companion on his North American journey
Image source: Wikimedia.org

Journey to Africa

He travels to Algeria, where he hunts lions. In 1870, he travels to Algeria again.

Széchenyi's first lion hunting in Algeria in 1867
Image source: Wikimedia.org

Asian tour

He sets off on a tour of Asia in the company of geologist Lajos Lóczy.

Széchenyi and his Asian companions: Gustav Kreitner and Lajos Lóczy
Image source: Kreitner Gusztáv: Count Béla Széchenyi's travels to the East in India, Japan, China, Tibet and Burma. Budapest, 1882.

Asian tour

They travel through India to China.

Engraving from the section on China in the volume on the Asian Journey
Image source: Gusztáv Kreitner. Budapest, 1882.

Asian tour

From China they travel to Japan.

The travellers also visited the ajnuts in Japan
Image source: Gusztáv Kreitner. Budapest, 1882.

Asian tour

From Japan they travel back to Hungary via Burma.

The Golden Pagoda in Rangoon in the description of the Asian Journey
Image source: Gusztáv Kreitner. Budapest, 1882.

Public career

He accepted Béla Széchenyi as an honorary member of the Hungarian Academy of Sciences, and was a guard of the crown from 1901 to 1918, until his death.

Béla Széchenyi (left) as a guardian of the crown
Image source: Vasárnapi Újság / OSZK EPA DKA-092317

See Béla Széchenyi's life path in full by clicking the Zoom in! button.

Birth

Ferenc Haár was born in 1908 in Csernátfalu, Transylvania.

Ferenc Haár was born the son of a Jewish industrialist in Csernátfalu (now Csernátfalu), a village of Hungarian Csángó in Transylvania (today: Romania)
Image source: Fortepan.hu

Budapest School of Applied Arts

He studied interior design and advertising graphics at the National School of Applied Arts in Budapest. He settled in his profession, but increasingly turned to photography.

The building of the National School of Applied Arts is now the successor of the institution, the Moholy-Nagy University of Art and Design
Image source: Wikimedia.org

Photography career

In the first half of the 1930s, he increasingly made a name for himself as a photographer. He became particularly interested in socio-photography.

Ferenc Haár made a name for himself in Hungary with his socio-photographs
Image source: Tom Haar / Sándor Kiss

Marriage

In 1934 he married Irén Pápa.

He married Irén Pápa in 1937
Image source: Tom Haar / Sándor Kiss

Paris years

He and his wife took part in the Paris World Exhibition and set up a photography studio in the French capital.

The site of the 1937 Paris World's Fair as seen from the Eiffel Tower
Image source: Fortepan.hu

Moving to Japan

They moved to Japan on the recommendation of a friend. Ferenc Haár quickly settles in and continues his career as a photographer.

The Haár family on the Pacific coast
Image source: Collection of Sándor Kiss

Resettlement in Japan

The Haár family is deported by the Japanese government as "friendly country residents".

Ferenc Haár with his two children and a friend in their forced settlement in Karuizawa
Image source: Collection of Sándor Kiss

Moving after the war

Ferenc Haár moves with his family to Kamakura. He is stationed with the occupying American army as an audiovisual consultant.

After the war, he worked for the magazine of the occupying American troops, Yank, until the magazine's demise
Image source: Wikimedia.org

Social photography in Japan

After the American occupation, he continues his work as a socio-photographer in Japan. In 1956, he works in Chicago.

He continued to take socio-photographs in the 1950s: He made a series of Japanese pearl fishermen
Image source: Collection of Sándor Kiss

Moving to Hawaii

In 1959, he moves to Hawaii with his family, where he takes photographs and shoots documentaries.

After moving to Hawaii with his family, Ferenc Haár not only taught at the university, but continued to take socio-photographs
Image source: Collection of Sándor Kiss

See Ferenc Haár's life path in full by clicking the Zoom in! button.

Birth

Antal Elked was born in Budapest in 1873 into a family of innkeepers.

Antal Elked was born in the year of the unification of Buda and Pest
Image source: Fortepan.hu

Studies

He completed his schooling in Budapest and mastered several world languages.

He finished his schooling in Budapest
Image source: Fortepan.hu

Credit Lyonnais, Paris

After his military service, he worked in Paris for Credit Lyonnais, where he became acquainted with banking.

Former Credit Lyonnais headquarters in Paris
Image source: Wikimedia.org

London, Russia secondment

He worked at the London branch of Credit Lyonnais and then at a bank in Russia.

Antal Elked as a young banker
Image source: Collection of Sándor Kiss

Russian recommendation to Shanghai

On the recommendation of Russian Finance Minister Sergei Witte, he was transferred to the Sino-Russian joint bank in Shanghai. A year later, he is involved in the suppression of the Boxer Rebellion.

Antal Elked with his own Opel car in Shanghai
Image source: Collection of Sándor Kiss

Kobe transfer

In 1902, he is transferred to Kobe: he is in charge of the Japanese branch of the bank, handling the Chinese compensation to Japan.

Antal Elked on Mount Fuji in 1905
Image source: Collection of Sándor Kiss

Yokohama transfer

The Russo-Chinese Bank sends Elked Antal to Portsmouth and St Petersburg, then to Yokohama, to the local branch. Here he is responsible for helping to repatriate Russian prisoners of war captured in the Russo-Japanese War.

After his transfer to Yokohama, he helped repatriate Russian prisoners of war. For his work, the Tsar awarded Elked the Order of St. Sanislo III
Image source: Wikimedia.org

Tokyo transfer

As a citizen of the Austro-Hungarian Empire, he had to leave the Russo-Sino bank, but in Tokyo he takes a job with Mitsui Bussan Kaisha.

Elked was able to find time for his hobby of skating
Image source: Collection of Sándor Kiss

Self-employed banker

In 1920 he became self-employed and set up his own financial company.

Among the staff of the Park-Union Foreign Banking Corporation in Tokyo
Image source: Collection of Sándor Kiss

Business trips worldwide

He made many business trips between the two world wars, accompanied by his wife. This is how he returned to Hungary. Antal Elked died of a sudden illness in 1942.

Elked Antal with his wife Mitsu in 1937. His wife accompanied Elked on many of his business trips
Image source: Collection of Sándor Kiss

See Antal Elked's life path in full by clicking the Zoom in! button.

Birth

György Komor was born in Budapest in 1888. His father Izidor Komor, an art collector, and his brother Marcell Komor, an architect.

Izidor Komor with his family (wife: Frida, children: Pál, György, Berta, Imre) and his relative Artur Kuhn, also an art dealer
Image source: Collection of Sándor Kiss

His schools

Komor György Komor started his education in Budapest, but his family moved to Asia and later studied in Shanghai, where he learned Chinese and Japanese.

György Komor finished his studies in Shanghai, where his father took over the management of their shop
Image source: Collection of Sándor Kiss

Takes over his father's business in Yokohama

He learned the art trade alongside his father and took over the management of the company's Jokohama shop in 1913, which continued to operate during the First World War.

Advertisement of the Kuhn & Komor shop in Yokohama from 1920
Image source: Collection of Sándor Kiss

Business success and bankruptcy

His business success led him to open a fashion salon in Tokyo, but he lost his wife and all his property in the great earthquake of 1923.

The great earthquake in Canton in 1923 caused enormous destruction in Yokohama
Image source: Collection of Sándor Kiss

Return to Budapest

Exhausted by his losses, he left for Budapest.

Komor's hobby of painting watercolours helped him to process the trauma he had experienced
Image source: Collection of Sándor Kiss

Return to Japan

He returned to Japan in 1926, where he got a job in the company of a friend.

György Komor in 1927
Image source: Collection of Sándor Kiss

Hungarian exhibition of crafts and folk art

In 1932, together with Nándor Metzger, he organized the first representative exhibition of Hungarian industry and folk art in Tokyo, which was very popular.

Macuzakaja department store in Tokyo in the late 1920s
Image source: Wikimedia.org

Difficulties during the war

In 1941, Komor's family was accused of espionage, and in 1943 the Japanese government assigned them a forced residence as state agents of "friendly states".

The wider Gora area in the first half of the 1900s
Image source: Wikimedia.org

Second new start

Komor only had his house in Yokohama left intact, but his business was again severely damaged. In his new shop he sold souvenirs to the occupying American troops, which proved to be a profitable business.

György Komor's shop in 1947
Image source: Collection of Sándor Kiss

Foreign trade relations with the USA

He restructured his business in the 1950s, but took advantage of his network of American contacts. He handed his business over to his son in 1963. György Komor died in 1976 in Yokohama.

Gravestone of György Komor and his second wife Xenia in Yokohama
Image source: Collection of Sándor Kiss

See György Komor's life path in full by clicking the Zoom in! button.

Birth

Komor Szigfrid Kohn was born Szigfrid in the family of a rabbi. His brother Komor Izidor, father of Komor György.

The Komor family in 1883
Image source: Collection of Sándor Kiss

Journey to Java, then Japan

In 1885, he travels to Java, but at the invitation of his relative Kuhn Móritz, he joins his art dealer's firm and takes over the business in Hong Kong

Trademark of the Kuhn & Komor company
Image source: Collection of Sándor Kiss

Business success and near bankruptcy

Komor Izidor is sent to Yokohama to head the local shop. With the firm almost bankrupt, he sets up a separate business, basing his business on German and English-speaking customers.

Foreign Street in Yokohama in 1892 on a postcard
Image source: Collection of Sándor Kiss

Exhibition in Budapest

In 1904, the collection of Komor's firm is exhibited at the National Museum in Budapest. Szigfrid Komor gives a lecture on business life in the Far East and the role of Hungarians in it.

The organizers of the Budapest exhibition: Szigfrid Komor, top row on the left
Image source: Világlapja of Tolna, 1904

Move to Hong Kong

In 1913, he took over his relative's business in Hong Kong. Szigfrid Komor's business in Yokohama is taken over by György Komor. Despite the difficulties, Szigfrid Komor and his family stayed in Hong Kong during the First World War.

The Komor & Komor company's shop in Hong Kong in 1920
Image source: Collection of Sándor Kiss

Journey to Budapest

He resumed his business activities after the war and went to Budapest to pick up his daughters in 1919.

Budapest in 1919
Image source: Fortepan.hu

Extensive business activities

He continued his extensive business activities in Hong Kong.

The Komor family in Budapest in 1932
Image source: Collection of Sándor Kiss

See Szigfrid Komor's life path in full by clicking the Zoom in! button.

Birth

Nándor Metzger was originally born out of wedlock, but his speller father married his mother and named his son after himself.

Nándor Metzger's father's place of work, the Globus Printing Company
Image source: MEK OSZK

Schools

He had a difficult childhood, but learned not only German and English, but also some Slovak. In Budapest, following in his father's footsteps, he trained as a printer. As a teenager, he also learned Chinese and Japanese.

Csiba Suho, a journalist who patronized Metzger's Japanese studies
Image source: Collection of Sándor Kiss

Career opportunities with Japanese

His Japanese language skills gave Nándor Metzger a great career opportunity, but the outbreak of World War I prevented this. In 1918, he was drafted and worked in Vienna as a military English, Japanese, Hungarian and German language examiner for the army.

Nándor Metzger as a soldier in 1918
Image source: Collection of Sándor Kiss

Becoming a Japanese citizen

After his discharge, he lived in Budapest for a while without a job. In 1920, he was adopted by Vatanabe Hishakichi, and became a Japanese citizen. In 1924, he works at the Japanese Embassy in London, but his wife dies in 1925, plunging him into a crisis of despair.

Metzger also worked as an interpreter for Major General Rikichi Ando, the Japanese chairman of the Hungarian-Czech Boundary Commission.
Image source: Wikimedia.org

Personal crisis

In 1924 he works at the Japanese Embassy in London, but his wife dies in 1925, plunging him into a crisis of remorse.

For a time after the death of his wife, Nándor Metzger considered becoming a Catholic priest. The picture shows the Central Seminary building today
Image source: Wikimedia.org

First trip to Japan

Emerging from the crisis, he goes on a lecture tour to Japan in 1929 and reports from there for several Hungarian newspapers.

Already in Japan with his second wife, Gabriella Ilona Szigeti
Image source: Collection of Sándor Kiss

Hungarian industrial and folk art exhibition

Together with György Komor, they start to organize the first exhibition of Hungarian industry and folk art in Tokyo. Metzger returns home to find supporters: Governor Horthy assures him of his patronage. He returns to Japan with his second wife, but misses the highly successful exhibition.

The Nicsi Nicsi Simbun headquarters on a postcard: the paper took up the idea of György Komor and Nándor Metzger for a Hungarian arts and crafts exhibition in Tokyo
Image source: Collection of Sándor Kiss

Business and social success

Nándor Metzger-Vatanabe and his wife settle into Japanese social life. Nándor Metzger is also successful in business. In 1934, he becomes the managing director of the newly founded Hungarian-Japanese Society.

Hungarian Day at the Imperial Hotel in Tokyo in 1936
Image source: Collection of Sándor Kiss

Diplomatic activity and founding of a newspaper

From 1939, he worked at the Hungarian Embassy in Tokyo, then due to the war situation he moved with the mission to Sengokuhara. In 1943, he founded a newspaper called Keletázsiai Magyarság (East Asian Hungarian) to inform the Hungarian colonies. He edits a Hungarian-Japanese dictionary, which is never published.

Nándor Metzger at the microphone of Tokyo Radio in 1940
Image source: Collection of Sándor Kiss

Leaving Japan

Nándor Metzger's family had to leave Japan, but they settled in Paris instead of Hungary.

The Metzer family in Sengokuhara during 1942
Image source: Collection of Sándor Kiss

American years

They later settled in the United States, where they also died, in Tuscaloosa, Alabama.

Nándor Metzger continued to work on his Japanese-Hungarian dictionary after leaving Japan, but it remained in manuscript form
Image source: Prof. Robert Metzger / Sándor Kiss

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Birth

Béla Hermann was born in 1887 in Gyöngyös into a Jewish timber merchant's family.

Béla Hermann's hometown Gyöngyösin the 1930s
Image source: Fortepan.hu

Prisoner of war

After being conscripted, he fought on the Eastern front of the First World War, where he was taken prisoner by the Russians. He is sent to the Berezovka camp.

Photo of Béla Hermann from the Berezovka prison camp
Image source: History of Hungarian prisoners of war- Volume II. Budapest, 1930, 471.

Career as a dance teacher

In the camp he becomes a member of the dance self-education group and achieves success. As a result, she becomes a dance teacher at the girls' high school in Ulan-Ude as a prisoner of war.

A contemporary view of Ulan-Ude (formerly Verkhne Udinsk)
Image source: Wikimedia.org

Career as a dance teacher

From a turbulent post-war Russia, prisoners of war would be sent home. Herman would be transported to Vladivostok, but he also takes a job as a dance teacher in Ussuriysk.

Ussuriysk in the 1910s
Image source: Wikimedia.org

Fame in Harbin

He flees the Russian civil war for Harbin, a prominent centre of Russian emigration. He becomes famous for his dancing.

Harbin on a postcard
Image source: Wikimedia.org

Renowned dance artist in the Far East

In 1922 he gives dance classes in Chingtao and in 1923 in Kobe as a ballet master. By this time he was also a well-known dance artist in Japan.

Béla Hermann as a ballet master
Image source: History of Hungarian prisoners of war- Volume II. Budapest, 1930, 473.

Unexpected return

In 1926 he travels to Paris to learn new dances, but suddenly returns home and stays in Gyöngyös, where he becomes a respected wood merchant.

Gyöngyös in 1939
Image source: Fortepan.hu

Deportation

In the summer of 1944 he is deported to Auschwitz because of his Jewish origin, from where he never returns.

The Holocaust memorial in the Jewish cemetery in Gyöngyös
Image source: Zsido.com

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